The World’s Finest presents the latest in a series of studio-conducted interviews, provided by Warner Home Video, this one for the The Spectre DC Showcase animated short included on the home video release of Justice League: Crisis on Two Earths. Continue reading below for the latest installment featuring The Spectre writer Steve Niles.
Inaugural DC Showcase short appears on Blu-ray/DVD release of Justice League: Crisis on Two Earths
Renowned horror/comics writer Steve Niles adds his special touch of terror to the first-ever animated version of The Spectre, the initial entry in the DC Showcase series of animated shorts. The Spectre is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
From the creative forces behind the DC Universe animated original PG-13 movies, DC Showcase puts the spotlight on favorite characters from throughout the annals of DC Comics in fascinating, short-form tales sure to entertain longtime and new fans alike.
The Spectre focuses on a detective story with an ethereal twist, featuring the otherworldly character originally introduced by DC Comics in 1940. The voice cast is led by Gary Cole (Entourage) as the title character and Alyssa Milano (Charmed) as Aimee Brenner.
Niles is one of the comtemporary writers responsible for bringing horror comics back to prominence. Named by Fangoria magazine as one of its 13 rising talents who promise to keep us terrified for the next 25 years, Niles is currently working for seemingly all of the top American comic publishers. His current ongoing series is “Simon Dark” for DC Comics with artist Scott Hampton, and “Batman: Gotham After Midnight” with artist Kelley Jones.
In 2002, the success of his “30 Days of Night” sparked renewed interest in the horror genre, and was developed as a major motion picture with Sam Raimi producing and David Slade directing. Niles co-wrote the screenplay. The film debuted as the No. 1 movie at the domestic box office. Also in development are adaptations of Wake the Dead with director Jay Russell, and Criminal Macabre and The Lurkers.
Niles got his start in the industry when he formed his own publishing company called Arcane Comix, where he published, edited and adapted several comics and anthologies for Eclipse Comics. His adaptations include works by Clive Barker, Richard Matheson and Harlan Ellison. IDW released a hardcover and softcover collection of Niles’ adaptation of Richard Matheson’s I Am Legend.
Niles has been nominated for multiple Eisner Comic industry awards and was the recipient of two Spike TV Scream Awards for Best Horror comic and Best Comic Adaptation. He also won the Scribe Award for Best Original Novel in 2007.
Currently his graphic novel Freaks of the Heartland is being developed for film by David Gordon Green. Niles is also writing a major videogame property that will soon be announced.
Niles took a pause from his daily marathon writing schedule to chat about The Spectre. Heres what he had to say
STEVE NILES: My knowledge of The Spectre was fairly minimal. I had done a series called “Batman: Gotham County Line,” where I had used a few of the supernatural c haracters. For that writing, I looked at Dr. Fate and Spectre, but in that case, I went with Phantom Stranger.
Within six months, I got a call from Todd Casey at Warner Bros. Animation asking if Id be interested in writing this short, and thats when I got really interested in him and he does fascinate me now. I dove headfirst into all of the 1970s Spectre stuff, and the more I read, and the more I talked to Bruce Timm about the him, the more I fell in love with the character. Judge, jury, executioner. He kills. I wish I had been more into the character before because hes perfect for me.
QUESTION: So The Spectre really hits home for you?
STEVE NILES: I have a big affection for crime and noir, and a big affection for horror, and The Spectre is the one character that I can literally combine them. He can be a detective when I need him and, then, when he gets the confession out of you, I can have him kill you. Hes very Ditko-esque, or even a kind of Rorschach. But I like The Spectre better in that, because hes a dead guy and hes haunted, you trust his judgment a little more. You figure hes justified. Thats why Batman doesnt kill he cant judge a living peson. But this is a guy who is dead, he knows how the system works, he understands the ramifications, so he figures he can save us all a dime and kill them with a muscle car.
I remember as a kid reading The Spectre comic and the true fun of it was that this guy had a flair for the ironic in his retribution. There was this issue where a hairdresser gets killed by giant scissors. I loved that so much. It makes it such fun to write a character who gets to look into each bad guy, see what makes them work, and then turn that on them. Its like he gets to give them a little taste of hell before he sends them to hell.
QUESTION: Youve worked in a number of mediums, but this is the first time in animation. How did that experience compare to comics, film, etc.?
STEVE NILES: I loved it. I find it really liberating working in other peoples sandboxes. Tell me what your rules are, and I can stay there and have fun, instead of just staring at a blank piece of paper. It was fun working with Alan (Burnett) and Bruce (Timm) and bouncing ideas off them. They say too much dialogue, I say Okay, cut it out. There can be no ego in this writing. And it was probably the easiest time Ive ever had writing something. Ive had lots of fun writing movies and comics, but this was just plain fun. The worst part of the whole experience was that we had to lose one of the killings, but that was no big deal. And thats as bad as it got.
QUESTION: No ego? But you must still feel a certain amount of pride to finally earn your first written by credit for The Spectre?
STEVE NILES: Even 30 Days of Night was a story by credit and I had the script credit divided with three other people. This is the first time, love it or hate it, that I can watch the film and say, Thats my freaking dialogue. The Spectre is the most complete thing Ive ever had go from script to screen, and that in itself is really exciting for me. Being able to see what you write actually get onto the screen is phenomenal and so hard in movies.
QUESTION: Did you work closely with Bruce Timm on this project?
STEVE NILES: Ive been a fan of Bruce Timm for years, and we had never had an opportunity to meet. Ironically, I was doing last minute edits on the script on the way to Seattle for a Con and he was sitting right next to me and that was the first time we met. Hes as big a nerd as me. We like the same comics, we both love the 70s were both fans of guys like Herb Trimpe, Frank Robbins, Sal Buscema, Jack Kirby. We do the classic geek stuff, sitting around and talk about this stuff, and buying comics weve already bought before. Right now Im on a major Spectre binge, buying every damn Spectre I can get my hands on. The Golden Age art looks insane, but fortunately the prices on those will keep me in check.
QUESTION: Will viewers find Steve Niles fingerprints all over this script?
STEVE NILES: Theres a lot of me in this script, and people that know me will see that quickly and throughout. If I could do a comics series called Monsters and Muscle Cars, Id be a happy guy. I have a 1973 Nova that I keep running. When Im not writing, Im out driving in that. I love that damn car.
I also have a big love for noir, so theres an homage to, say, speech patterns that sound like Fred MacMurray from Double Indemnity. This script offered some great opportunities to throw a lot of this stuff I love into it. As well as to take a nice swipe at Hollywood greed, which is such an easy target, but still fun. The people who know me who have seen it say Geez, why didnt you just put yourself into it. I guess I shouldve just had the Spectre kill me.
QUESTION: Did Warner Bros. ever curtail your freedom in creation?
STEVE NILES: The funny thing is that I was going to be more restrained. I thought, Well, I cant rip heads off. And they were saying, No, come on. Lets see what youve got. I think people will be surprised at how actually scary this thing is. Its a good little horror story.
Suggested caption information:
Steve Niles (30 Days of Night) is the screenwriter of The Spectre, which is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
The Spectre makes his animated debut as the title character in the inaugural entry within the DC Showcase series of animation shorts. Gary Cole (Entourage) provides the voice of The Spectre, which is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
Detective Corrigan has a slight edge on most investigators in The Spectre, the first entry within the DC Showcase series of animation shorts. The Spectre is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
A bit of romantic history flows between Detective Corrigan and Aimee Brenner in The Spectre, the inaugural entry within the DC Showcase series of animation shorts. Gary Cole (Entourage) and Alyssa Milano (Charmed) provide the voices of Detective Corrigan and Aimee Brenner, respectively. The Spectre is being distributed February 23 by Warner Home Video as part of the Justice League: Crisis on Two Earths Blu-ray/DVD.
DC SUPER HEROES and all related characters and elements are trademarks of and DC Comics. (s09)
For more information, images and updates, please visit the films official website at www.JUSTICELEAGUECRISIS.com.
Also made available by Warner Home Video, new The Spectre media has been released by the studio. To view the new clip from the The Spectre animated short, included on the Justice League: Crisis on Two Earths home video release, please click on the thumbnail image below. The clip is presented in the Quicktime format.
A co-production of Warner Premiere, DC Comics and Warner Bros. Animation, the direct-to-video Justice League: Crisis on Two Earths animated feature is now available to own on DVD and Blu-ray disc. Click on the links below to discuss both the new Justice League: Crisis on Two Earths animated feature, the respective DVD and Blu-ray home video releases and the included The Spectre DC Showcase animated short.
–Justice League: Crisis on Two Earths Feature Talkback (Spoilers)
–Justice League: Crisis on Two Earths DVD/Blu-ray Talkback (Spoilers)
–Justice League: Crisis on Two Earths Soundtrack Talkback (Spoilers)
–The Spectre Animated Short Talkback (Spoilers)
Stay tuned for further updates here soon at The World’s Finest.
The World’s Finest and WaterTower Music have teamed up to give fans the opportunity to recieve a free copy of the Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie CD release from WaterTower Music. For this week only, The World’s Finest will be giving away ten copies in total of the Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie Soundtrack CD release to ten lucky recipients, courtesy of WaterTower Music.
Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie is now available on Amazon, iTunes and other digital music retailers. The soundtrack is available as both a digital download (Click here for iTunes!) and an Amazon-exclusive compact disc release (Click here to purchase!).
To enter, simply send an email to email@example.com, including your name, full mailing address and phone number by the end of the day today, Friday, February 26th, 2010. Please label the email “Justice League: Crisis on Two Earths CD Contest.” Only one entry per person will be accepted. From there, ten entries will be randomly selected to receive a free copy of the Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie CD release from WaterTower Music. Please note this special giveaway is only available to residents of the United States.
Only those randomly chosen to receive a copy of the CD release will be notified via email shortly after the closure of the contest. Please note the terms and conditions of this special giveaway are subject to change without notice.
Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie is now available on iTunes, Amazon and other digital music retailers. Official details for the Justice League: Crisis on Two Earths Soundtrack From the DC Universe Animated Original Movie CD release from WaterTower Music are available here.
Additionally, the highly anticipated Wonder Woman Soundtrack From the DC Universe Animated Original Movie score release is also now available to own as a digital download through Amazon, iTunes and other digital music retailers from WaterTower Music (Click here to purchase!), with a special limited-edition CD release from La-La Land Records to follow on March 23rd, 2010. La-La Land Records was originally set to release the special limited edition CD on March 9th, 2010, but is currently experiencing production delays on the title. Further details, including track details and cover artwork for this release, are available here.